Object History Note / Acquisition Notedescription, provenance, notes Following the British occupation of Benin City (Edo) in 1897 objects made of brass, ivory and wood were looted by British forces from the royal palace, its storerooms and compounds. Some of these objects were sold or exchanged on the coast. However, many were brought to the UK where they were sold through private auction, donated to museums, or retained by soldiers of the expedition The British Museum successfully petitioned the government to secure some of the relief plaques and over 300 were sent to the UK by the Consul-General [Sir] Ralph Moor and placed at the Foreign Office. During the summer of 1897 the Crown Agents for the Colonies, on behalf of the Foreign Office, agreed a temporary loan of 304 plaques to the British Museum. In September these were placed on public display in the Assyrian basement where they attracted considerable public attention. The Museum initially received 203 of these plaques as a gift from the Secretary of State for Foreign Affairs. In the summer of 1898 a further eleven plaques were sent to the British Museum from the Foreign Office and three of these were selected by the Museum and were subsequently presented as a gift. Of the remaining plaques the Foreign Office retained eight and the rest were offered for sale to major museums, collectors and private dealers in Europe and the UK. Today over nine hundred plaques are known to exist in museums and private collections around the world. See Collection File: Af1898,0115.1-203 (previously Eth.Doc.185).
Physical descriptiondescription Relief plaque, lost-wax cast in brass. Wide plaque, rectangular in form with side flanges. Background surface decorated with river leaf patterns and stippling. Rosettes at top left and right. One nail hole at top left, two holes at bottom left and right. Depicts central standing figure, facing front, holding an eben sword aloft in right hand and a spear in left hand; sword under left arm. Figure wears tall helmet with stiff front panel and horsehair at sides, protrusion from top of helmet; bead necklaces, leopard's tooth necklace, quadrangular bell, body armour, armlets, beaded anklets and wrap-around knee-length skirt. Two flanking figures, bearded, hold shields and spears, figure on left shares grasp on spear with central figure. Both figures wear helmets decorated with cowrie shells, leopard's tooth necklaces, quadrangular bells, body armour, and wrap- around skirts. Two smaller scale figures in between; figure on right carries bundle of sheathed over-sized arrows in left hand. Wears helmet, quadrangular bell, body armour and wrap-around skirt. Figure on left carries harp in both hands. Wears textured helmet, quadrangular bell, body armour and wrap-around skirt.
The relief brass plaques that used to decorate the Oba's (king's) palace are among the most well-known of all the royal arts of Benin. Although frequently described as 'Benin Bronzes' most plaques are made of leaded brass in various compositions. It is widely accepted that they date to the 16th-17th centuries. In the years prior to the British Expeditionroyal influence in Benin was increasingly under threat from rival powers, both internal and external, with a focus on economic power and control of the important trading monopolies. However, the court and palace remained the political and spiritual centre of the Benin Kingdom. Earlier accounts written by Europeans visiting the city describe its size and scale. The palace complex was set up around atrium courtyards; some had galleries with wooden pillars supporting the roof. Brass plaques, probably made in matching pairs, were fixed to these pillars. The Benin brass plaques represent a distinct and unique corpus of work, unparalleled elsewhere on the continent. They are cast using the cire perdue (lost wax) technique and show significant variation in the depth of the relief. Some of the plaques portray historical events or commemorate successful wars, while others are a vivid depiction of Benin court life and ritual. Several groups of plaques show clear stylistic similarities. William B. Fagg suggested that these plaques represent the work of master brass casters. Fagg, William, 1973, 'Nigerian Images', London: Lund Humphries Gunsch, Kathryn, 2018, 'Benin plaques: a 16th century imperial monument', London: Routledge, Taylor and Francis Group ~Part of Processional Pillar Set 9. Row 3A (Gunsch, 2018). ~Read & Dalton 1899: The central figure here is dressed like Af1898.0115.81, and Af1898.0115.163, but has a plainer surcoat. He is flanked by two attendants wearing head-dresses, ornamented with cowries and armed with spears and shields (Cf. Af1898.0115.51, Af1898.0115.86, and Af1898.0115.50). Here, as in other examples, both the central person and the attendant on his left are grasping the shaft of the same spear. Between the larger persons are two smaller figures, one holding a sheaf of spears with a sheath over the points; the other a harp (cf. woodcut). Above are two rosettes.
Exhibitions Loans and Displays - Current and Pastexhibition history Exhibited: 1965, Oxford, Pitt Rivers Museum, Art from the Guinea Coast 1970-1973, London, Museum of Mankind, Divine Kingship in Africa