Art Institute of ChicagoThe data was downloaded via a public data access of the institution.
Last Updated: 2021-02-08
Language: english
<p>Benin royal altars have been embellished with matched pairs of carved elephant tusks since the 18th century, when ivory—a commodity traditionally controlled by the Benin king—dramatically increased in value. In the mid-19th century King Adolo (reigned about 1850–88) commissioned this tusk and 15 others for the altar of his father, Osemwende. It was anchored on a brass head like the one displayed nearby, and prominently features fish-legged <em>oba</em> (king) imagery in honor of the 15th-century ruler Ewuare.</p>
150.5 × 195.6 × 12.7 cm (59 1/4 × 77 × 5 in.)
classification_titlesobject type ceremonial object; ivory; arts of Africa; african art; ritual objects; altar object
kingship; edo (african); ceremonial object; ivory; carving; Audit 2020; ivory; May 2020; arts of Africa; Arts of Africa; Coastal West Africa; sacred; supernatural; tusk; african Art; african art; altar; ancestors; benin kingdom; ritual objects; altar object; divine rulership; king; royalty
subject_titlesiconography kingship; sacred; supernatural; altar; ancestors; divine rulership; king; royalty
Gift of Mr. and Mrs. Edwin E. Hokin
provenance_textprovenance Commissioned by Oba Adolo (r. 1848-88) mid-late 19th century, Benin City, Kingdom of Benin [B. Blackmun 1997, pp. 149-151]; by descent to Oba Ovonramwen (r. 1888-97, died 1914), Benin City, Kingdom of Benin, before 1897; possibly taken during the British military raid. Edwin Hokin (died 1990) and Grace E. Hokin (died 2009), Chicago, Ill., probably by 1970 [date suggested by an unattributed note in curatorial file]; given to the Art Institute, 1976.
Edo, Kingdom of Benin
Nigeria
Coastal West Africa
exhibition_historyexhibition history Art Institute of Chicago, Heads of State, Seats of Power, September 2–November 7, 1995.
Museum fur Volkerkunde, Vienna (organizer), Benin –Kings and Rituals: Court Arts from Nigeria, May 9–September 3, 2007; traveled to Paris, Musee du quai Branly, Oct. 2, 2007–Jan. 6, 2008, Berlin, Ethnologisches Museum-Staatliche Museen, Feb. 7–May 25, 2008, Art Institute of Chicago, July 10-Sept. 21, 2008.
publication_historybibliography Evan Maurer, "A Carved Ivory Tusk from Benin," Bulletin of the Art Institute of Chicago 71, 3 (1976), pp. 6–9.
Art Institute of Chicago, Telling Stories in Art: The Story of the Exhibition and How It Was Created (Art Institute of Chicago, 1997), pp. 54–61.
Barbara Winston Blackmun, "Icons and Emblems in Ivory: An Altar Tusk from the Palace of Old Benin," African Art at the Art Institute of Chicago, Art Institute of Chicago Museum Studies 23, 2 (1997), pp. 148–163, no. 24, figs. 6–8, 10–12 (ill.).
Constantine Petridis et al., Speaking of Objects: African Art at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), cat. no. 32, pp. 92-95 (ill.).
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https://api.artic.edu/api/v1/artworks/51809
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TM-319; TM-137; TM-14182; TM-13486; TM-12318; TM-12923
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2020-12-21T14:27:12-06:00
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edo (african); Arts of Africa; Coastal West Africa; african Art; benin kingdom
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